x men days of future past chris claremont

“We have all these superb actors, playing all these great characters - as both writer and audience, I just want to find ways to bring them to cinematic life as richly as they deserve and, in the process, leave the audience hungry for more,” he says, calling X-Men “a franchise with the depth of character and concept that make it valid as film concepts or TV concepts, as ongoing series or limited series, on network or perhaps cable.”Īsk him for possible new directions for the franchise, and he has many suggestions. Humble about his own experience - asked about advice he has for other writers, he demurs, “I’m still trying to figure things out myself” - he’s more open when talking about the potential future for the X-Men movie franchise and where he’d like to take it given the chance. “It’s more fun than I can tell to find oneself shoulder to shoulder with performers and filmmakers I’ve enjoyed for years, especially when they’re bringing my characters and stores to life,” he says, citing the chance to spend time with Bryan Singer and Hugh Jackman on the set of Days of Future Past and pitching an X-Men movie to James Cameron alongside Stan Lee as two particularly fondly remembered moments. The success of the original X-Men movie led to many happy memories for Claremont. Read more How Marvel Became the Envy (and Scourge) of Hollywood Back then, that felt totally great - and the success of the film illustrated the potential a properly done comic book project could have on the movie market.” “The project was just this side of turnaround, and apparently my memo tipped the scales in its favor. “Back in ’98, ’99, when I was vp editorial director at Marvel, I had to write a memo to Fox explaining how to make the X-Men relevant to the audience as a film-story concept,” he tells THR. It turns out that this was far from the 64-year-old writer’s first involvement with Fox.

X men days of future past chris claremont